Tuesday, March 9, 2010

Godspell Exceeded My Expectations


Godspell was a surprisingly great show, not what I was expecting. First of all, I didn't want to go but we had to for this assignment. For this, I am so grateful. It was not a musical I would have chosen to go see on my own but one that I thoroughly enjoyed. Seeing Godspell in a live performance is something that should not be missed.

At a live performance, it feels like a much more personal experience than a film could ever be. One of the things that were unique to a live performance was at intermission when the cast invited the audience on stage to have a glass of punch. I have never been to a play where the "invisible curtain" between the audience and the stage has been "ripped down", even at intermission. I did not go on stage and have punch but I did sit and watch those that did. It just seemed really strange to me.

Also during intermission, the actor that played Jesus came over and was talking to the crowd down below me. When you are watching a film, the actors are never going to jump off the screen and talk to you. This was yet another aspect that made it much more personal than watching a film.

Another thing I observed was the audience participation. During a couple different songs, the cast members looked out at the audience, wanting them to clap along with the music. And we did. I can't remember ever being at a movie and the audience doing much more than laugh or cry. I think it's because at a movie, you feel more detached from the performance. Seeing it live makes it feel more real.

Because it is live I feel like I am rooting for the actors up on stage to do a good job. I have never had that feeling watching a movie probably because I know they can do unlimited takes until they get it perfect! With a live performance, the actors only get one chance each night to get it right.

Going into this, I didn't really have much excitement. I didn't completely understand what I was going to see. This is another difference between films and live plays. Usually before I see a film, I have already watched a preview and that's the reason why I want to go see it. With a play I am going to see it because it's an assignment, I know someone in it, or I have read a review in the newspaper.

From the moment I was given this assignment, I thought I knew what this musical was all about and I didn't want to go. I'm so glad I was "made" to. The comedy in the performance was completely unexpected with the funniest line being, "Say hello to my little friend." Once I realized there would be some humor in it I started to warm up to the performance. I unfairly judged it comparing it in my mind to a church service before giving it a chance. This live performance of Godpsell more than lived up to my expectations, it exceeded them.

Monday, March 8, 2010

The Wooster Group

The Wooster Group is a Performance Ensemble. Under the direction of Elizabeth LeCompte, they perform theatre, dance, and media. They do modern and classic texts, found materials, film, and video. (The Wooster Group)

They started out in 1968 as "The Performance Group". In 1975, they started creating original scripts and changed their name to "The Wooster Group" in 1980. They tour around the world but their home is at The Performing Garage in New York City. (Wikipedia)

Thomas Connors points out, "Confusing an audience is par for the course with the Wooster Group. The 34-year-old New York company has always made a habit of not merely tinkering with the canon, but tearing plays apart and reconstituting them in not necessarily immediately recognizable form" (Extreme O'Neill, par. 12). So when I felt confused when watching the clip below, I wasn't too hard on myself!

As you will see, the Wooster group puts a new spin on an old Hamlet. In 1964, Hamlet was performed on Broadway, starring Richard Burton. The performance was filmed and this is what they play in the background while the live actors imitate, comment on, or ignore the actors on the screen behind them. There is a smaller screen which is playing the live performance against the large screen of the 1964 performance. (Kennedy, par. 3)



In the beginning of the clip, when the music started playing and the older gentleman came onstage, I heard the squeaky wheels and was reminded of the Wicked Witch in the Wizard of Oz. That's when I knew this performance was going to be a "little out there". The thought may cross your mind that they may be having technical difficulties when the screen flickers and you see snow. But, that's all part of the performance. Or is it? The audience of a play never actually knows if a mistake is made as long as the show keeps going. This clip does make you think, if nothing else.

This is definitely different from what I have experienced at the theater. You can't say this is your typical Hamlet! It's definitely not boring. Expect the unexpected with this group!

Works Cited:

Thomas Connors. "Extreme O'Neill." Theatre Communications Group. American Theatre. Theatre Communications Group. n.d. Web. 27 Feb. 2010. http://www.tcg.org/publications/at/feb09/oneill.cfm

"About the Group." The Wooster Group. The Wooster Group. n.d. 27 Feb. 2010
http://thewoostergroup.org/twg/about2.html

Wikipedia. "Performing Garage." Wikipedia. 16 Oct. 2009. Web. 27 Feb. 2010.
http://en.wikipedia.org/wiki/Performing_Garage

Louise Kennedy. "Drifting in the Shadows of Hamlet." Boston.com. The Boston Globe. 15 Nov. 2007. Web. 27 Feb. 2010. http://www.boston.com/ae/theater_arts/articles/2007/11/15/drifting_in_the_shadows_of_hamlet/